Jeddak II, September 1963 spotlights Timely's top heroes. Dan Crowe cover art.
From info derived in this issues editorial Jeddak premiered in July 1963 (I don't have the first issue) with Paul Moslander and Michael Friedrich collaborating on the first two issues. In those pre-internet days Friedrich was unable to work closely with Moslander due to their distance from each other, so from the third issue onward Moslander became the sole editor/publisher, writing numerous articles and editorials, with assistance from his father, Ralph Moslander, who produced much of the artwork. Friedrich would go on to write for Marvel and DC, publish Star*Reach and become an agent for comic artists.
Moslander had letters published in early Marvel Comics, including Amazing Spider-Man # 4, September 1963, complete with an "Editor of Jeddak" title:
The Marvel heroes of the 1940's Timely era were the cover feature in Jeddak II. While many fans were interested in the new or revised Marvel and DC characters, a great many were equally intrigued by the original heroes of over two decades past. The inside front cover explained that the issue was a tribute to the Timely/Atlas/Marvel heroes and includes a capsule history of the period from the late 1930's to its revival in the 1950's and into its present 1960's incarnation. To many fans this was unexplored territory and provided a larger history of the Marvel line.
In the "news and notices" section two new titles were celebrated, the Avengers and X-Men. The first FF Annual was a big hit with fans (discussed recently on this very blog), while Dr. Strange, the "Tales of Asgard" back-up feature in Journey into Mystery and Steve Ditko's work on Iron-Man (in Tales of Suspense) is praised. Below are a few Marvel Comics that were on newsstands when Jeddak II was published:
Amazing Spider-Man # 7, Dec 1963, Steve Ditko cover art. Spider-Man was already a favorite with fans.
Avengers # 2; November 1963, Jack Kirby pencils; Sol Brodsky inks
There is also talk of DC and Gold Key output. Although Marvel was getting the lion's share of attention, many fans were interested in what the other comic book lines were putting out, particularly in the adventure/heroic genres.
Another topic that stirred up fans was the Comics Code Authority, and both the pros and cons of it's worth were debated. On this page administrator John Goldwater is quoted as being upset over companies such as Gold Key that did not carry the code seal.
The letters section was the main source of interaction between Moslander and fans, many of whom produced their own fanzines, offering a lively mixture of intelligent discussions and youthful enthusiasm. Fanzine pioneer Jerry Bails, originator of Alter Ego, sends his compliments to the editor and John McGeehan is represented (John and brother Tom, were active members of fandom, buying multiple copies of every fanzine, collecting data and rating each one). McGeehan also contributed to Jeddak, writing articles on authors such as Maurice B. Gardner and The Comics Code.
Margaret Gemignani was a prolific fanzine writer and publisher (Mask and Cape). In this issue she presents a listing of Timely's 1940's heroes and writes a five page history of the Sub-Mariner in the "Comic Mirror" section of the fanzine.
In those long ago days when access to a Xerox machine was limited, artwork and covers were often "recreated" by fan artists. Here Paul's dad, Ralph Moslander, does a fine job channeling Syd Shores for his version of All Winners # 21. These images and characters were used with the permission and approval of Marvel, and Moslander personally thanks Stan Lee, who was very friendly with fandom.
Along with articles on Marvel, Jeddak included an essay on Science Fiction author A. E. Van Vogt and two fan fiction pieces. Moslander produced an imaginative fanzine together with a small group of talented and energetic young people.
The FF and Spider-Man take center stage on the cover to Jeddak III (November 1963), with images (by Ralph Moslander?) derived from Kirby and Ditko figures.
Early on Marvel was recognized by fans as something special, and Moslander points out what made them stand out from the crowd. While many have echoed his thoughts over the decades in essays, articles and interviews, there is a certain freshness in seeing this expressed while Marvel was in its infancy.
The "Notes and Notices" section heralds the upcoming return of Captain America after a decade absence; Hawkman's new feature in Mystery in Space and changes in the Justice League of America. Moslander predicts the Angel will break out and become a solo star, extols the "brilliance" of Giant-Man (who am I to criticize? I love Ant-Man!), and praises Gold Key's Doctor Solar, although noting its sales are lacking with cancellation imminent. Interestingly, the publication schedule between issues 6 and 7 went from every three months to every four months, and then reverted back to a quarterly schedule with its 8th issue. Doctor Solar's sales apparently picked up and the title continued uninterrupted until 1969.
Doctor Solar # 6 (November 1963) would have been out when Jeddak III was published. Cover painting by the great George Wilson. Image from the Grand Comic Book Database.
Moslander's second editorial in this issue praises Lee, Kirby and Marvel for the recently published Fantastic Four # 21. Moslander explains how, unlike most comic companies, Marvel uses Communists as villains, and in this story they deal with mindless, fanatical hatred. In four months Lee and Kirby would go further and tackle racism (Sgt. Fury # 6, March 1964). Lee and company were clearly sending a message about equality, one they would follow up on in the years ahead. Moslander's editorial points to an intelligent teenager who was not just immersed in the world of fantasy; he was concerned about the problems and issues surrounding him in a turbulent decade. While many producers of fanzines were teenagers (Moslander was around 14 when he started Jeddak), they often showed a level of depth and insight beyond their years.
Marvel's own Corresponding Secretary, Flo Steinberg, sends a letter in. Flo often replied directly to fanzines sent to Stan Lee, although Lee also read fanzines and was genuinely interested in what they had to say.
Moslander's four page article "The Marvel Comics Groups" concentrates on the team books (FF, Avengers, X-Men and Sgt. Fury) three of which were relatively new. While all the strips were by Lee and Kirby, Moslander expressly points out their distinctions instead of their similarities.
Other highlights in issue III include articles on the Comics Code by Rick Weingroff and Bill Gregory and a history of the original Human Torch by Margaret Gemignani.
The next issue in my collection is Jeddak V (May 1964), with cover art by John Chambers, featuring a mix of Marvel and DC heroes.
On his opening page Moslander asks the question "Can comic book heroes remain original?" Moslander doesn't follow contemporary comics, but feels most of the new ideas in mainstream comics dissipated after Watchman.
"Notes and Notices" mentions Jeddak's expansion in page count and nickel raise to 40 cents (a lot of money for fans in those days: 40 cents paid for 3 comics and 3 Bazooka Joe bubble gums! At the time they cost a penny each!) plus news on science fiction writer Robert Heinlein; The Return of the Shadow book by Walter Gibson and discussion on DC, Gold Key and Radio Comics, including the "new look" Batman, returning to crime oriented fare under editor Julie Schwartz after years of alien menaces and giant gorillas.
It would be a few months before the announced changes occurred in Batman and Detective Comics, but many fans looked forward to a new look after years of science fiction, monsters, time travel and giant apes (which have a goofy charm of their own, if I may be so bold). Batman # 163, December 1963, Cover art by Sheldon Moldoff. Image from the Grand Comic Book Database (hey, I don't own EVERY comic!)
Letters discuss the merits of Jack Kirby and Steve Ditko's art; the idea of teaming Sgt. Fury with Captain America (fans had to wait five months for that to occur, in the pages of Sgt. Fury # 13, but Stan Lee was probably listening to this and similar requests), hopes of Cap getting his own comic and the recent Shadow paperback, and that's only one page of a five page LP!
Fans got their wish ("in answer to the greatest reader demand in Marvel's history!" blared Stan Lee's cover copy, and probably not without a grain of truth) as Lee and Kirby teamed Captain America and Bucky with Sgt. Fury and the Howlers. This was Kirby's last interior story (although his presence dominated the majority of covers up to issue #25) and he went out with a blast! Dick Ayers inks; Sgt. Fury # 13, December 1964.
The articles on the Fly and Spider-Man are interesting in light of later revelations about Kirby's unpublished Spider-Man being similar to his and Simon's Fly.* Moslander points out the differences between the Simon-Kirby and Lee-Ditko heroes, but astute fans would almost certainly have noticed similarities if Lee-Kirby's original Spider-Man was produced. How long would it have been before the litigious publishers of Archie also took notice? It's possible that a Lee-Kirby Spider-Man would have survived as long as Fox's Wonder Man. Instead, we got the Lee-Ditko Spider-Man. In my estimation that worked out OK.
Other features in Jeddak V include an article on Fu Manchu author Sax Rohmer by Richard Best, prose stories and the inevitable article on the notorious Comics Code!
And finally we come to the last issue of Jeddak, # VII, July 1965 with Cap, Subby and Daredevil featured. Cover art by John Chambers.
"Notes and Notices" mentions a six month gap between issues, not a good sign in terms of publication, and the price is again raised another nickel to 45 cents. Topics include Charlton's employment of fan writers and Roy Thomas' first assignment for that company (more of upcoming); praise for DC's "Enemy Ace"; ACG and Archie's heroes, and a lukewarm review of SHIELD.
Created by Robert Kanigher and visualized by Joe Kubert, Enemy Ace was an offbeat series and a fan favorite. Showcase # 57, August 1965. Image from the Grand Comic Book Database (and if I mention them one more time I'm gonna charge them!)
While this letter was printed in an earlier blog post on the Comic Reader, I thought it rated a second look for those who missed it. Pat Masulli was the first comics editor to directly go to fanzines and procure talent. Soon many fanzine writers and artists would find work in the comics industry, changing the tone and tenure of comics.
And we close out with an article by editor Moslander on the 1964 World Science Fiction Convention and author Harlan Ellison's horror stories about writing or adapting stories for Television. Moslander does not quote Ellison verbatim, but apparently took notes during his talk and adds his own asides. It remains a fascinating examination of the story development process from treatment to finished product.
Jeddak continued to explore a variety of material; Ian Fleming's OO7; spoofs of golden age comics; prose stories and a printing the Comics Code Authority's rules and standards, (something not often seen in that era). Expanding the page count may have been a disadvantage, giving Jeddak an unfocused feeling, but after the seventh issue Moslander became busy with school and discontinued Jeddak, although he still followed comics for many years. While his involvement with comic fandom waned, his passion for science fiction fandom - which comic fandom was a offshoot of - remains strong to this day. Speaking to him in the present one gets a clear sense of the teenager whose enthusiasm and insight brought a small press publication to life (the print run was in the low 100's). Moslander's fanzine showcases a group of young, passionate fans writing, drawing and putting thought into a product. It's a testament to his talent that Jeddak is worth looking back on a half-century later.
Special thanks to Paul Moslander for taking the time to talk to me about his work all those years ago. I'm impressed by his keen insight and thoughtful manner. Thanks also to Aaron Caplan for helping me get in contact with Paul.
* "Amazing Adult Fantasy was born and reached #14 when Stan said a new Marvel hero would be introduced in #15. He would be called Spider-Man. Jack would do the penciling and I was to ink the character...Stan said Spider-Man would be teenager with a magic ring which could transform him into an adult hero - Spider-Man. I said it sounded like the Fly..later, at some point I was given the job of drawing Spider-Man." Steve Ditko, An Insider's Part of Comics History Jack Kirby's Spider-Man, Robin Snyder's History of Comics, Vol 1, number 5, May 1990.